Archive

adults

I spent a long day in the studio yesterday doing some stock and portrait work and ended the day by having some fun with my friend Kalynne and a new acquaintance, Toby.  I have a lot of editing yet to do on the hundreds of images we made, but here is a quick look at one.  Toby has a gun in his hand (don’t worry – it was a mock Beretta) and many of the images have the gun in frame, which obviously gives the photograph a much more ominous feel.  And this one, with the sharp contrast between the light and dark sections of the image, could be seen the same way.  But to me, it also has a sense of longing or even heartbreak.  I’m not sure, though.  What do you think?

I have known Emily since she was in high school and have always thought the world of her, so it was a pleasure and an honor to be asked to photograph her wedding this past weekend in Newport Beach. Although it has been a rainy winter in Southern California, the weather was perfect and the celebration went off without a hitch. Here are a few images of the lovely bride with her new husband, Bryce:
.

.

.

.

.

.

.

.

Over the weekend I did a portfolio shoot with a friend who performs with CONDER/dance, a contemporary dance company in Phoenix.  I was amazed both by her gracefulness and by her athleticism.  One moment she was jumping to what felt like NBA level altitudes and in the next she was in complete repose.  I read a recent article in which a photographer said that one of the reasons he loves his job is because it allows him to hang out with amazing people who do incredible things.  I feel exactly the same way.

.

.

.

.

.

The latest generation of digital single lens reflex cameras is able to capture images in lighting conditions that would have been impossible even one generation ago. This image, for example, was captured at ISO 6400 with a hand held telephoto lens at 1/250th of a second. While a small amount of post-production noise mitigation was necessary, the clarity and relative sharpness of an image like this one, shot in such low light, would have been next to impossible a year and a half ago.

Here, Jesse Sapakie, the Performing Arts Department Chair at a local high school, conducts the school’s choir. His hands and his music are lit by an overhead spot while his face is lit by the reflection of the lights trained on the performers on stage. It’s an evocative image, capturing both Mr. Sapakie’s individual artistry as well as his relationship with the unseen singers in front of him.


These are a few of the performers he is conducting.

I recently photographed a couple of runway shows on the roof of the Hotel Valley Ho in Scottsdale. I got there early to stake out a spot from which to shoot and had some time to kill before the shows began. The roof was dimly lit, but here and there you could find little splashes of light, so I dug out my fastest lens – a 50mm f/1.4, which photojournalists say can see in the dark – and wandered around the pre-show party looking for interesting images. I especially liked the blue LED lighting the producers used to set the mood.
party1
party2
party3
party4
party5
party6

facebook-logotwitter

Follow

Get every new post delivered to your Inbox.