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industrial

I love photographing industrial facilities. As with so many things, seen from the right perspective, they can be incredibly beautiful. The English photographer, Michael Kenna, has made a series of sensational photographs of power plants and other industrial operations that are worth checking out. In addition to admiring his talent, I am also envious of the access he was granted to photograph these sites.  Always tricky, trying to photograph industrial facilities. Security guards tend to get a little antsy when they see the tripod and the long lens. Fortunately, in this instance I was far enough away that I was invisible to the powers that be.

Power Plant

Power Plant - Dawn

My friend Stephen is a native of New Orleans, although he hasn’t lived there since he finished his first graduate degree.  Recently, however, he was asked  to write the screen adaptation of Walker Percy’s novel The Moviegoer, which is set in New Orleans, so he decided to rent a house in the Garden District while he finishes the screenplay. Having never been to New Orleans I, of course, invited myself for a visit, from which I have just returned.  I fell in love with the city.  It has been knocked down pretty hard in the years since Katrina and still has a long way to go before it is fully recovered, but it is nonetheless still a beautiful, exotic city. Here are a couple of images from the trip.

Lake Pontchartrain late in the afternoon.

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An egret nesting in Audubon Park.

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The Oak Alley Plantation in Lutcher, Louisiana

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The Hale Boggs Bridge over the Mississippi River near Luling, Louisiana

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I don’t know which came first – the cemetery or the Dow Chemical St. Charles plant.  Hahnville, Louisiana.

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Stephen, hard at work.

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light_rail

This morning was a gorgeous – bright blue sky filled with drifting cumulus clouds.  After a week filled with meetings and editing, I wanted to get outside and shoot, so I grabbed the camera early and wandered down to the new light rail station recently opened on the western edge of Mesa.  I started shooting on the platform, but was quickly chased off by a security guard.  What is it with this bizarre paranoia about photographers?  In any case, I got a  few shots on the platform and then started moving around to various vantage points  around the station.  I liked this image both because of the beautiful sky in the background, but also because the sleek, modern train and station provide a nice contrast to other images I have of the older, fustier Mesa.

I was out the other night trying to find a good vantage point from which to photograph a  dramatic end-of-the-monsoon-season lightning storm and was not having much success.  Either it was raining too hard or I was in the wrong place and, finally, I was just a little too late. Driving home, however, this commercial fueling station caught my eye.  In this age of fossil fuels, there is something reassuring about a filling station on a dark road. For prints of this image, please visit my Etsy site.

Unless the Diamondbacks are playing, downtown Phoenix on a Saturday afternoon in the summer is like a scene from The Omega Man.  Desolate.  Just south of Chase Field, across the railroad tracks, you drive along street after street without seeing a soul, half expecting mutant survivors of a nuclear war to emerge from one of the alleys.

On one of those streets, I spotted this painting of Anubis, the Egyptian god charged with protecting the dead, on the door of a warehouse.  Not sure I want to know what was inside that building.  I took a bunch of shots and was just packing up my gear when I saw a cyclist approaching from my left.

I quickly changed the shooting mode of the camera to a higher frame rate and started shooting just as the cyclist entered the frame.  He was in the shot for four frames, the last of which was this one.  Serendipitously, he and Anubis had called each other that morning and decided to wear matching outfits.